here. The World Series has been over for a few weeks now and the “curse” has been overcome. At least for the Chicago Cubs.
Our story today of a goat’s curse is set in a strange south-of-the-border land with swamps and medicinal herbs. It has a wronged drug company employee, Manuel, going to a voodoo man to lay on the curse of the goat. The confusing geography with a Haitian religion mixed in is not found on any map. But I wonder if the writer was familiar with the urban legend of the Chicago Cubs’ goat curse?
No artist or writer identified by the Grand Comics Database. The story is from Mysterious Adventures #10 (1952).
Friday, December 02, 2016
Wednesday, November 30, 2016
The two stories they did for Standard’s Western Hearts #5 (1950) are typical of the romance genre, but show the strengths of their collaboration; Severin’s very strong illustrative and storytelling skills, and Elder's solid inking. Looking at the first panel of the historical romance, the 3-page story of the romance of Sam Houston and Eliza Allen, I laughed when I saw the splash panel. With its bucolic Disney elements, little animals joining the lovers during a tender moment in the woods, I thought what Elder could have done with such a scene for Mad a couple of years later. As was usual with Severin, when drawing anything, Western, love, war...he didn’t fake the costuming of the characters.
Monday, November 28, 2016
Madam Fatal, at least, is one of the most non-traditional comic book heroes ever, because she is really a he in women’s clothes, masquerading as an old woman. The story of artist Arthur Pinajian is even more interesting. After leaving comic books he took up painting, at which he was unable to earn a living. He never married, and lived with his unmarried sister until he died. After he died over 3000 pieces of art were found when his former home was sold, and Pinajian was at last discovered. As the late art historian, William Innes Homer wrote of Pinajian, “He pursued his goals in isolation with the single-minded focus of a Gauguin or Cézanne, refusing to give up in the face of public indifference.
“He was passionate and unequivocally committed. Ultimately, Pinajian's work reflects the soul of a flawed, yet brilliant, artistic genius. When he hits the mark, especially in his abstractions, he can be ranked among the best artists of his era.” Just as Madam Fatal was unusual for mainstream comic books, so was Pinajian's posthumous success in the rarified air of the art world.
Finally, the Clock ticks along in another story by George E. Brenner. The Clock is a very early masked vigilante character, who was created in 1936. Brenner left the feature when he became editor of Crack Comics, and the Clock chimed his last in 1944.
All stories are from Crack Comics #6 (1940):
Friday, November 25, 2016
Heritage Auctions, from whence these scans of the original art came, sold the complete story in 2009 for $13,145.00...a bit better than 23 bucks.